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Upcoming Project Room Solo Exhibition Coming February 2026 at Rhodes Contemporary Art

‘Out of the Woods’  
Out of the Woods presents a series of six anthropomorphic portraits inspired by woodland animals and the folklore that surrounds them. Drawing from myth and storytelling traditions across different cultures, each figure takes its name from a specific folk or mythic source — from Yutu, the Moon Rabbit of East Asian legend, to Reynard the clever fox of medieval Europe, and Ratatoskr, the restless messenger of Norse myth.
Rather than illustrating these stories directly, the works focus on character and presence. The animals are shown in stillness, meeting the viewer head-on, their expressions carrying subtle traces of the roles and qualities associated with them: attentiveness, cunning, endurance, grace, curiosity, and quiet independence.
The bold use of colour and simplified composition frames each figure as a kind of emblem, allowing humour, restraint, and ambiguity to coexist. Grounded in genuine folklore but filtered through a contemporary lens, Out of the Woods brings together familiar creatures and distant myths, inviting viewers to encounter them anew — calm, watchful, and just slightly uncanny.

‘Yutu’ (Rabbit) 
In East Asian folklore, Yutu is the Moon Rabbit, a gentle figure said to live on the moon preparing the elixir of immortality. Yutu represents compassion, patience, and quiet devotion, embodying strength through humility rather than force.

‘Reynard’ (Fox)
Reynard is the fox of medieval European folklore, known for intelligence, adaptability, and sharp wit. Neither hero nor villain, Reynard survives through cunning, often revealing the contradictions and hypocrisies of the world around him.

‘Bjørn’ (Bear)
Bjørn comes from Old Norse tradition, where the bear was revered as a powerful forest ancestor. Associated with endurance, protection, and deep memory, the bear was once believed to stand close to humanity, bridging the wild and the familiar.

‘Oisín’ (Deer)
In Irish mythology, Oisín’s name means “little deer,” reflecting his deep connection to the natural world. A warrior and poet, he is known for crossing between realms, with the deer long symbolising grace and otherworldly passage.

​‘Ratatoskr’ (Squirrel)
Ratatoskr is a messenger in Norse mythology, carrying words and tensions between distant realms along the world tree. Small yet essential, the squirrel represents movement, connection, and restless energy within a larger system.

‘Taghan’ (Pine Marten)
Taghan is an old Gaelic name for the pine marten, an elusive woodland animal linked to stealth, intelligence, and hidden forest life. Rarely seen, it carries an air of independence and quiet mystery.
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Next up!
OUT OF THE WOODS
Coming to Rhodes Contemporary Art in February 2026



​Beautiful Shambles – Thank You
December 02, 2025
The exhibition turned out to be a tremendous success. Friday’s private view was packed, and we welcomed a steady stream of visitors throughout Saturday and Sunday. Thank you to everyone who dropped in, spent time with the work, and chose to take pieces home for their collections.
It was wonderful meeting so many of you and exchanging stories about the city we all care about. Your support truly means a lot to us, and we’re thrilled that this Glasgow-focused project connected with so many people. In fact, the response has been so encouraging that we’re already making plans to bring it back next year.

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BEAUTIFUL SHAMBLES - A VISUAL LOVE LETTER TO GLASGOW
28TH – 30TH NOVEMBER 2025

Private View
Friday 28th November, 5 pm to 10 pm (RSVP required)

RSVP

I am happy to announce that I will be presenting new work in the group exhibition Beautiful Shambles, a visual love letter to Glasgow with all its character, charm and contradictions. For one weekend, four Scottish artists come together to share what this city means to us, each in our own language of image, colour and place.
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My new body of work explores power, propaganda, class struggle, and forgotten communities through reimagined characters from Orwell’s Animal Farm, transposed into a gritty Glaswegian housing estate. Anthropomorphic creatures wear tracksuits, carry old protest scars, and stalk the corridors of derelict tower blocks. It’s Orwell via Possilpark. Surreal, unsettling, and weirdly familiar.The allegory of revolution and corruption remains, now infused with Glaswegian voices, local grit, and surreal familiarity.
I will present portraits of the main protagonists in this darkly comic, unsettling retelling--Orwell via Glasgow city.

Christopher Swan will be taking a deep dive into my immediate location, focussing on the overlooked scenes and idiosyncratic occurrences which make the urban environment of Glasgow such an interesting and vibrant subject. Twelve works will be presented on aluminium, celebrating the extraordinary within the ordinary, the beauty within the grit - elevating what can appear on first impression to be a mundane scene into something fresh and vital.
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Nick Smith will be showing new screenprinted artworks on paper and canvas, along with a light box, all exploring Glaswegian slang. Through his process of psycolourgy, Nick takes these familiar, braw expressions and gives them a visual life of colour, turning everyday patter into something vivid and gallus (bold). Nick and Chris are also collaborating on a triptych of large-scale screen printed canvases - a process which has been an absolute joy. 
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Ross Ryan, known for painting the rugged coastline of Scotland, will be setting his easel in an entirely different landscape. He steps into an ultra urban environment shaped by concrete and the ghosts of industry. Bringing his plein air practice into the heart of the city, he will take his dinghy up the Clyde to capture Glasgow’s once industrial artery, a rural painter navigating cranes, steel and cold water. 


Private View
Friday 28th November, 5 pm to 10 pm (RSVP required)

RSVP
Open Hours
Saturday 29th & Sunday 30th November, 11 am to 5 pm
Venue
The Glue Factory
22 Farnell Street
Glasgow G4 9SE




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